New York Times Reporting by Motoko Rich

The athletes marched into the arena masked and waving exuberantly. Dancers in pastel costumes and hats clapped and waved their arms in the air to whip up excitement. But there were no fans and no cheering audience — only row upon row of mostly empty seats stretching into the reaches of the vast Olympic Stadium in central Tokyo.

A year after originally scheduled, the opening ceremony of the 32nd Summer Olympics unfolded in the midst of a tenacious pandemic, with attendance limited to fewer than 1,000 dignitaries and other invited guests in a stadium built to seat 68,000.

The Japanese public has grown exhausted with the pandemic and has widely opposed the Games. But the ceremony tried to project a world moving on from more than a year of doing battle with the virus, as confetti doves fell from the sky and a rendition of “Imagine” on Jumbotrons reverberated through the huge stadium with performances by Angélique Kidjo, John Legend and Keith Urban.

The organizers sprinkled traditional Japanese culture through the festivities, staging what looked like a typical summer festival with lanterns and a taiko drumming soundtrack as well as an excerpt from a famous Kabuki play.

But in other ways they embraced a more modern outlook, selecting Naomi Osaka, Japan’s most famous athlete, to light the Olympic cauldron, and Rui Hachimura, the basketball star who plays for the Washington Wizards, as one of the flag bearers for Japan. They are just two of several multiracial athletes who are representing a largely homogeneous Japan at the Olympics.

11,000 athletes from 205 countries expected

Although some competitions started earlier this week, the ceremony Friday represented the official start of the Olympics, with more than 11,000 athletes from 205 countries expected to participate in 33 sports over the next two weeks.

Nearly all of the events, like the opening ceremony, will be held without spectators, and the athletes will compete under strict protocols that limit their movement.

Usually it is the Olympians who face considerable odds, but this time it was also the organizers who waged an uphill battle to get to this moment. What was meant to be a showcase of Japan’s gleaming efficiency, superior service culture and appeal as a tourist destination has instead been swamped by infection fears and host committee scandals.

The opening ceremony is often the host nation’s chance to show itself off — think of Beijing’s regimented drummers in 2008 or London’s dancing National Health Service nurses four years later. But the Tokyo organizers put on a simpler show.

In a moment of silence, an announcer asked those watching around the world to remember those lost to COVID-19 and the athletes who had died in previous Olympics, including the Israeli athletes killed during a terrorist attack at the Munich Games in 1972.

Although it was not explicitly mentioned until the organizers gave their speeches, the ceremony invoked the original framing of Tokyo’s Olympic bid — as a symbol of the country’s recovery from the devastating earthquake, tsunami and nuclear disaster in Fukushima in 2011. A sole figure dressed in white and in ghostly makeup danced on a platform in the middle of the field as waves of light coursed around the stadium.

And with lighted drones above the stadium forming a giant rotating globe, the organizers were clearly trying to divert the message of the Games away from the pandemic and scandals and toward the more anodyne themes of peace and global harmony.

But that messaging may have little resonance with the Japanese public, as coronavirus infections in Tokyo have risen to a six-month high and the domestic vaccine rollout has proceeded slowly. In quieter moments throughout the ceremony, protesters outside the stadium could be heard yelling, “Stop the Olympics!” through bullhorns.

COVID-19

“I can’t really think of any meaning or significance of why we are doing all this,” said Kaori Hayashi, a professor of sociology and media studies at the University of Tokyo. “We kind of started with the recovery of Fukushima, but that’s completely forgotten. And now we want to show the world that we have overcome COVID-19, but we haven’t overcome it at all yet.”

While the pandemic has presented an unprecedented challenge to the Games’ organizers, it has been far from the only one.

Just a day before the opening festivities, the organizing committee dismissed the ceremony’s creative director after it emerged that he had made jokes about the Holocaust years ago during a television comedy skit.

His firing came just days after a composer for the ceremony resigned — and organizers withdrew a four-minute piece he had written — in response to a vociferous social media campaign criticizing him for severely bullying disabled classmates during his school years.

These were only the latest scandals in a long line of setbacks. Two years after winning the bid, the government abandoned a sleek stadium design by a famous architect, Zaha Hadid, because of ballooning costs. The organizers had to scrap their first logo after plagiarism accusations. French prosecutors indicted the president of Japan’s Olympic Committee on corruption charges related to the bidding process. Fearing extreme heat in Tokyo, the International Olympic Committee moved the marathon to Sapporo, on Japan’s northern island, 500 miles from the Olympic Stadium. And the president of the Tokyo organizing committee was forced to resign after making sexist comments.

While the decision to push ahead with the Games amid a pandemic has focused attention on the billions of dollars at stake for the International Olympic Committee, the international spotlight has also been harsh for Japan at times.

The year long delay in the Games has exposed social problems like sexism in a country where nearly all the top jobs are filled by older men, as well as resistance by the conservative government to rights for gay and transgender people.

Sheer spectacle and excitement

Still, now that the Games have finally arrived, the sheer spectacle of the world’s largest sporting event started to push those issues aside.

The night before the opening ceremony, Aya Kitamura, 37, a traditional Japanese musician, biked to the Olympic Stadium to stake out the best viewing spot from outside the venue.

“Of course, I understand that there are many opinions about the Olympics,” said Kitamura, who said her parents had often told stories about watching the 1964 Tokyo Olympics. “But as the Games get closer, I think everyone is getting a little more excited day by day.”

The near-absence of spectators disappointed some who said they did not understand why the Olympics were different from other recent sporting events attended by large crowds in Europe, where infection rates remain higher than in Japan.

“It’s kind of unfair that only a limited amount of people are getting to watch the opening ceremony,” said Hinako Tamai, 19, an Olympic volunteer who was helping to guide the media into the stadium Friday night. “But because of COVID, there’s not much we can do.”

Emperor Naruhito officially opened the Games

Among the several hundred people who sat in the $1.4 billion Olympic Stadium for the opening ceremony Friday were Japan’s emperor, Naruhito, who officially opened the Games; first lady Jill Biden of the United States; President Emmanuel Macron of France, whose capital city, Paris, will host the next Summer Games, in 2024; and Tedros Adhanom Ghebreyesus, director-general of the World Health Organization.

But several high-profile prospective attendees declared that they would not be present, including Akio Toyoda, chief executive of Toyota, a prominent Olympics sponsor that had decided against running Olympics-themed television advertisements in Japan. Shinzo Abe, the former prime minister who helped Tokyo secure the bid for the Games, also decided to stay away.

Several overseas dignitaries, including Princess Anne of England and United Nations Secretary-General António Guterres decided not to come, citing coronavirus restrictions. President Moon Jae-in of South Korea canceled a planned visit after being insulted by a Japanese diplomat.

This article originally appeared in The New York Times [2]

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